
the one-seven: Austin Blues Festival + Austin Psych Fest Playlists
It’s a busy weekend in Austin with both the Austin Blues Festival and the Austin Psych Fest staging dozens of musical acts over the next couple of days. The latest

It’s a busy weekend in Austin with both the Austin Blues Festival and the Austin Psych Fest staging dozens of musical acts over the next couple of days. The latest

By Ryan J. Nims 1994 was a great year for music! But for every Blue Album, CrazySexyCool, or The Downward Spiral, there were plenty of albums that, for whatever reason,

By Stefny! At the Disco If you’re unfamiliar with Poppy, you might not expect the kind of music she creates. The 30-year-old singer began her internet career as a surrealist

By Stefny! At the Disco L.S. Dunes is the supergroup to end all supergroups… at least if you’re in the emo/adjacent scene. Led by frontman Anthony Green (who is a running joke on my

By Nick March tends to be a weird month for music releases. Too early for summer bangers, too late for moody winter records, just cold enough to keep you indoors

By River Bryan “There’s something about sad songs,” Jason Isbell announced to the crowd at the ACL Moody Theater on Thursday. “When they’re played loud, they’re less sad.” Flanked by

By Stefny! At the Disco Case Study in Advertising Sync 3.0: From Agency to Artist Sync is something that I am so interested in and fascinated by, so I’m always

By Stefny! At the Disco I love South By Southwest for the amazing music that it brings to town every year and the absolute chaos of every venue (and sometimes

Photos and article by Erik Casarez. Girlpop has really made a comeback over the last year. With the success of Chappell Roan, Sabrina Carpenter, Olivia Rodrigo, and the resurgence of

By Stefny! At the Disco I have been struggling to process this since Wednesday and I think I’m finally ready (and have time) to write it down. If you know

By Ryan J. Nims “Divisive.” That word has been thrown at the band Deafheaven virtually from their inception. While their debut, Roads to Judah (Deathwish, 2011) was positively received, it

By Ryan J. Nims Very few musical acts have a career trajectory that has taken them from pop music to making art that is completely non-commercial, helping to create a